睡眠代幣體驗與音樂有關

睡眠代幣體驗與音樂有關。樂隊是完全匿名的，因此沒有任何自我或名字可以進入

The Sleep Token experience is all about the music; the band are completely anonymous, so there are no egos or names to get in the way, just enigmatic hits that defy genre categorisation attempts.

睡眠代幣體驗與音樂有關。樂隊是完全匿名的，因此沒有任何自我或名字可以妨礙您，只有無視類型分類嘗試的神秘命中。

Now, after a busy few years, the band are set to return for another cycle of touring in 2024, and the planning stages are already underway.

現在，經過幾年的繁忙，樂隊將在2024年返回另一個巡迴演出的周期，計劃階段已經在進行中。

The band's identity is a closely guarded secret and their following has grown organically over the last five years, without press interviews from the band or any gossip columns to speak of. They wear masks and the stage is kept clear. This anonymity avoids distractions and enables fans to purely enjoy the music.

樂隊的身份是一個嚴密保護的秘密，在過去的五年中，他們的跟隨有機增長，沒有樂隊或任何八卦專欄的新聞採訪。他們戴口罩，舞台保持清晰。這種匿名性避免了分心，並使粉絲們純粹享受音樂。

"The original idea of the band was just to listen to the music, don't worry about who's singing, who's playing, just listen, it's definitely different," explained Front of House engineer, Thom Pike, who has been with the band ever since their third gig in 2018. "The music world is all about the 'who', but Sleep Token is just about being moved by the music."

“樂隊的最初想法只是聽音樂，不必擔心誰在唱歌，誰在演奏，只是聽，這絕對是不同的，”自2018年第三次演出以來，他一直在樂隊與樂隊在一起的前面解釋說。“音樂界都是關於'誰'，但Sleep Sleep Sleep sleep nocken正是在音樂中被音樂所動。”

Being with them since the very beginning, Pike used to mix FOH, monitors, manage the production and the tour. As the band's success has grown, he has been able to delegate responsibility and now solely concentrates on mixing FOH. Their rise in popularity has seen the band go from 130 people capacity clubs to selling out 23,500 capacity venues like Manchester's Co-Op Arena in just a few years. The increase in venue size and production elements was just a part of the reason behind using DiGiCo consoles, as self-confessed enthusiast Samuel Schmitt, monitor engineer and a long time DiGiCo fan, choosing them consistently throughout his career, explained.

從一開始就與他們在一起，Pike用來混合FOH，監視器，管理製作和旅行。隨著樂隊的成功發展，他已經能夠委派責任，現在只專注於混合FOH。他們的受歡迎程度的提高使樂隊從130人的能力俱樂部到短短幾年內售出了23,500個能力場所，例如曼徹斯特的合作競技場。使用Digico遊戲機的原因是使用Digico遊戲機的原因的一部分，這是自願愛好者Samuel Schmitt，Monitor Engineer和長期的Digico粉絲，在整個職業生涯中都始終如一地選擇了它們。

"I am a true DiGiCo evangelist!" Schmitt says. "When a band is rapidly growing in terms of venue sizes, there are going to be things you want to do that other consoles are just not able to do. And that means you will be running in circles. That is never an issue with DiGiCo, the workflow is just much cleaner."

“我是一個真正的Digico福音傳教士！”施密特說。 “當樂隊在場地大小方面迅速增長時，您想做的事情將無法做到。

It was Schmitt's enthusiasm and support that made Pike feel more comfortable taking the leap to DiGiCo and, if issues did come up, Schmitt was only too happy to show Pike a quick fix, knowing DiGiCo's support team are available should the worst happen.

正是施密特（Schmitt）的熱情和支持使派克（Pike）更加自在地邁向了迪米科（Digico），如果出現問題，施密特（Schmitt）非常樂意向派克（Pike）快速解決，因為知道Digico的支持團隊在最糟糕的情況下就可以使用。

"We joked that I was Thom's personal DiGiCo tech support," Schmitt says. "I just love it! The thing about DiGiCo is, even if the worst did happen and a shackle fell from the sky and smashed into the desk, they're so widely available, we could get a replacement, load up our file and be OK. But, besides robustness, it's the availability of a huge support team that's the important thing."

施密特說：“我們開玩笑說我是湯姆的個人Digico技術支持。” “我只是喜歡它！關於Digico的事情是，即使最糟糕的情況確實發生了，並且束縛從天上掉下來並砸向桌子，它們的可用性很廣，我們可以替換，加載我們的文件並可以。但是，除了魯棒性外，這是一個巨大的支持團隊的可用性，這一點很重要。”

Before Pike got hands on with his Quantum 338, Schmitt sat down with him in any spare moments they had to talk through the benefits of the DiGiCo workflow, and features he thought Pike would enjoy. Slowly-but-surely, Pike came to see that the Quantum Series was going to serve his needs and the future needs of the band.

在派克（Pike）掌握了他的量子338之前，施密特（Schmitt）在任何備用時刻都與他坐下來，他們不得不通過Digico工作流的好處進行交談，並認為Pike會喜歡。派克慢慢地但樸素地看到，量子系列將滿足他的需求和樂隊的未來需求。

"Compared to other consoles, the DiGiCo just seemed like a big scary computer," admitted Pike. "But you can make them sound how you want them to. Other desks just sound like they sound, but DiGiGo is really clean and there is plenty you can do to change the sound if needed. I love Mustard and basically use it on everything. For this tour, I didn’t use a single standard EQ or compressor on anything. When I first started there was a limit on Mustard channels and I ran out! On this tour, we upgraded to Pulse, so now I have enough Mustard for everything."

派克承認：“與其他遊戲機相比，Digico似乎就像一台可怕的計算機。” “但是，您可以使它們聽起來您希望它們的聲音。其他辦公桌聽起來像是聽起來像是聽起來的，但是Digigo確實很乾淨，您可以在需要時可以改變聲音。我喜歡芥末，基本上可以在所有內容上使用它。對於這次旅行，我沒有使用任何一個標準的eq或壓縮機，當我第一次啟動時，我必須在芥末頻道上進行過足夠的努力，現在我已經忙了！

The band do not rely heavily on playback; elements of track are used, but the emphasis is on live music. This fluidity and interaction works well with the spiritual side of Sleep Token's music, which plays with themes of ritual and iconography, heightening the audience's experience. It is a vibe that also resonates with the crew, creating a real sense of camaraderie, as Schmitt and Pike conclude.

樂隊並不嚴重依賴播放；使用了曲目的元素，但重點是現場音樂。這種流動性和互動與睡眠代幣音樂的精神方面非常有效，該音樂播放了儀式和肖像學的主題，從而增強了觀眾的體驗。正如施密特（Schmitt）和派克（Pike）總結的那樣，這也是一種氛圍，它也引起了船員的共鳴，從而產生了一種真正的友情感。

"Sleep Token are great to mix because it’s a real rock mix. I’m not mixing anything with lots of subgroups and auxes as I might do on a pop or electronic tour," said Pike. "Using a DiGiCo was a big change for me, but it's been great. I get a lot of support from Solotech, and whatever the issue is, they are there to help us."

派克說：“睡眠代幣很棒，因為它是一種真正的岩石混合物。我不會像流行音樂或電子巡迴演唱會那樣將任何子組和輔助人員混合在一起。” “使用Digico對我來說是一個很大的變化，但這很棒。我得到Solotech的大量支持，無論問題是什麼，他們都在那里為我們提供幫助。”

"The crew are all good people and the tour has been the glue that keeps us all together. When it all works this well, it just makes sense keep everything the same," added Schmitt. "I'm on the North American side of things, so I'

施密特補充說：“船員都是好人，巡迴演出一直是使我們所有人在一起的膠水。當所有這些都效果很好時，這是有意義的，這是有意義的。” “我在北美方面，所以我