睡眠代币体验与音乐有关

睡眠代币体验与音乐有关。乐队是完全匿名的，因此没有任何自我或名字可以进入

The Sleep Token experience is all about the music; the band are completely anonymous, so there are no egos or names to get in the way, just enigmatic hits that defy genre categorisation attempts.

睡眠代币体验与音乐有关。乐队是完全匿名的，因此没有任何自我或名字可以妨碍您，只有无视类型分类尝试的神秘命中。

Now, after a busy few years, the band are set to return for another cycle of touring in 2024, and the planning stages are already underway.

现在，经过几年的繁忙，乐队将在2024年返回另一个巡回演出的周期，计划阶段已经在进行中。

The band's identity is a closely guarded secret and their following has grown organically over the last five years, without press interviews from the band or any gossip columns to speak of. They wear masks and the stage is kept clear. This anonymity avoids distractions and enables fans to purely enjoy the music.

乐队的身份是一个严密保护的秘密，在过去的五年中，他们的跟随有机增长，没有乐队或任何八卦专栏的新闻采访。他们戴口罩，舞台保持清晰。这种匿名性避免了分心，并使粉丝们纯粹享受音乐。

"The original idea of the band was just to listen to the music, don't worry about who's singing, who's playing, just listen, it's definitely different," explained Front of House engineer, Thom Pike, who has been with the band ever since their third gig in 2018. "The music world is all about the 'who', but Sleep Token is just about being moved by the music."

“乐队的最初想法只是听音乐，不必担心谁在唱歌，谁在演奏，只是听，这绝对是不同的，”自2018年第三次演出以来，他一直在乐队与乐队在一起的前面解释说。“音乐界都是关于'谁'，但Sleep Sleep Sleep sleep nocken正是在音乐中被音乐所动。”

Being with them since the very beginning, Pike used to mix FOH, monitors, manage the production and the tour. As the band's success has grown, he has been able to delegate responsibility and now solely concentrates on mixing FOH. Their rise in popularity has seen the band go from 130 people capacity clubs to selling out 23,500 capacity venues like Manchester's Co-Op Arena in just a few years. The increase in venue size and production elements was just a part of the reason behind using DiGiCo consoles, as self-confessed enthusiast Samuel Schmitt, monitor engineer and a long time DiGiCo fan, choosing them consistently throughout his career, explained.

从一开始就与他们在一起，Pike用来混合FOH，监视器，管理制作和旅行。随着乐队的成功发展，他已经能够委派责任，现在只专注于混合FOH。他们的受欢迎程度的提高使乐队从130人的能力俱乐部到短短几年内售出了23,500个能力场所，例如曼彻斯特的合作竞技场。使用Digico游戏机的原因是使用Digico游戏机的原因的一部分，这是自愿爱好者Samuel Schmitt，Monitor Engineer和长期的Digico粉丝，在整个职业生涯中都始终如一地选择了它们。

"I am a true DiGiCo evangelist!" Schmitt says. "When a band is rapidly growing in terms of venue sizes, there are going to be things you want to do that other consoles are just not able to do. And that means you will be running in circles. That is never an issue with DiGiCo, the workflow is just much cleaner."

“我是一个真正的Digico福音传教士！”施密特说。 “当乐队在场地大小方面迅速增长时，您想做的事情将无法做到。

It was Schmitt's enthusiasm and support that made Pike feel more comfortable taking the leap to DiGiCo and, if issues did come up, Schmitt was only too happy to show Pike a quick fix, knowing DiGiCo's support team are available should the worst happen.

正是施密特（Schmitt）的热情和支持使派克（Pike）更加自在地迈向了迪米科（Digico），如果出现问题，施密特（Schmitt）非常乐意向派克（Pike）快速解决，因为知道Digico的支持团队在最糟糕的情况下就可以使用。

"We joked that I was Thom's personal DiGiCo tech support," Schmitt says. "I just love it! The thing about DiGiCo is, even if the worst did happen and a shackle fell from the sky and smashed into the desk, they're so widely available, we could get a replacement, load up our file and be OK. But, besides robustness, it's the availability of a huge support team that's the important thing."

施密特说：“我们开玩笑说我是汤姆的个人Digico技术支持。” “我只是喜欢它！关于Digico的事情是，即使最糟糕的情况确实发生了，并且束缚从天上掉下来并砸向桌子，它们的可用性很广，我们可以替换，加载我们的文件并可以。但是，除了鲁棒性外，这是一个巨大的支持团队的可用性，这一点很重要。”

Before Pike got hands on with his Quantum 338, Schmitt sat down with him in any spare moments they had to talk through the benefits of the DiGiCo workflow, and features he thought Pike would enjoy. Slowly-but-surely, Pike came to see that the Quantum Series was going to serve his needs and the future needs of the band.

在派克（Pike）掌握了他的量子338之前，施密特（Schmitt）在任何备用时刻都与他坐下来，他们不得不通过Digico工作流的好处进行交谈，并认为Pike会喜欢。派克慢慢地但朴素地看到，量子系列将满足他的需求和乐队的未来需求。

"Compared to other consoles, the DiGiCo just seemed like a big scary computer," admitted Pike. "But you can make them sound how you want them to. Other desks just sound like they sound, but DiGiGo is really clean and there is plenty you can do to change the sound if needed. I love Mustard and basically use it on everything. For this tour, I didn’t use a single standard EQ or compressor on anything. When I first started there was a limit on Mustard channels and I ran out! On this tour, we upgraded to Pulse, so now I have enough Mustard for everything."

派克承认：“与其他游戏机相比，Digico似乎就像一台可怕的计算机。” “但是，您可以使它们听起来您希望它们的声音。其他办公桌听起来像是听起来像是听起来的，但是Digigo确实很干净，您可以在需要时可以改变声音。我喜欢芥末，基本上可以在所有内容上使用它。对于这次旅行，我没有使用任何一个标准的eq或压缩机，当我第一次启动时，我必须在芥末频道上进行过足够的努力，现在我已经忙了！

The band do not rely heavily on playback; elements of track are used, but the emphasis is on live music. This fluidity and interaction works well with the spiritual side of Sleep Token's music, which plays with themes of ritual and iconography, heightening the audience's experience. It is a vibe that also resonates with the crew, creating a real sense of camaraderie, as Schmitt and Pike conclude.

乐队并不严重依赖播放；使用了曲目的元素，但重点是现场音乐。这种流动性和互动与睡眠代币音乐的精神方面非常有效，该音乐播放了仪式和肖像学的主题，从而增强了观众的体验。正如施密特（Schmitt）和派克（Pike）总结的那样，这也是一种氛围，它也引起了船员的共鸣，从而产生了一种真正的友情感。

"Sleep Token are great to mix because it’s a real rock mix. I’m not mixing anything with lots of subgroups and auxes as I might do on a pop or electronic tour," said Pike. "Using a DiGiCo was a big change for me, but it's been great. I get a lot of support from Solotech, and whatever the issue is, they are there to help us."

派克说：“睡眠代币很棒，因为它是一种真正的岩石混合物。我不会像流行音乐或电子巡回演唱会那样将任何子组和辅助人员混合在一起。” “使用Digico对我来说是一个很大的变化，但这很棒。我得到Solotech的大量支持，无论问题是什么，他们都在那里为我们提供帮助。”

"The crew are all good people and the tour has been the glue that keeps us all together. When it all works this well, it just makes sense keep everything the same," added Schmitt. "I'm on the North American side of things, so I'

施密特补充说：“船员都是好人，巡回演出一直是使我们所有人在一起的胶水。当所有这些都效果很好时，这是有意义的，这是有意义的。” “我在北美方面，所以我