沖洗 - 黃金評論

Scour再次充分利用了這項工作的限時時間。黃金證明了殘酷，肢體和所有可怕和邪惡的事物。我想應該是。

Extreme metal supergroup Scour has been issuing its missives in relatively short, sporadic, very violent bursts. Since 2016, the band - ex-Cattle Decapitation guitarist Derek Engemann, Misery Index guitarist/vocalist Mark Kloeppel, Agoraphobic Nosebleed bassist John Jarvis and his brother Adam, drummer with Pig Destroyer/Misery Index/Lockup, and fronted by Philip H. Anselmo - has produced a color-coded trilogy of EPs, "Grey," "Red" and "Black," each offering six songs and roughly 15 minutes of music that mashes up black metal, death metal and grindcore with the utmost ferocity.

極端的金屬超級搜索一直在相對較短的，零星的非常暴力的爆發中發布其遺漏。自2016年以來，樂隊- 前牛斬首吉他手德里克·恩格曼（Derek Engemann），苦難吉他手/歌手馬克·克洛伊珀（Mark Kloeppel），恐懼症鼻子的貝斯手約翰·賈維斯（John John Jarvis）和他的兄弟亞當（John John Jarvis）和他的兄弟亞當（Drummer），豬驅逐艦/苦難索引/洛克（Drummer已經製作了彩色編碼的EPS，“灰色”，“紅色”和“黑色”的三部曲，每部都提供六首歌曲和大約15分鐘的音樂，並以最大的兇猛融合了黑色金屬，死亡金屬和磨碎。

This was perhaps both by design and as a matter of practicality - a means of capturing the immediacy and intensity of a band whose rank and file is busy with its myriad other pursuits, with precious little time to focus on Scour. So best to strike while the iron is hot - and strike hard it did indeed with the EPs - then get back to other business.

這也許是根據設計和實用性的 - 一種捕捉樂隊的即時性和強度的手段，該樂隊的排名和檔案忙於其其他眾多的追求，幾乎沒有時間專注於沖刷。因此，最好在鐵很熱的同時罷工 - 努力打擊它確實與EPS罷工 - 然後重返其他業務。

Oddly enough, Scour's first full-length arrives as Anselmo - the frontman and highest-profile member of the band - is busier than ever, touring both with Pantera and Down, and recording a new Down album. "Gold" presents 13 tracks - including three instrumental interludes - over nearly 40 minutes. Yet in spite of its comparative girth, and Anselmo's other 'distractions,' "Gold" is no less feral or urgent than its predecessors.

奇怪的是，Scour的第一個完整長度是Anselmo（樂隊的主持人和最高的成員）比以往任何時候都更加忙碌，與Pantera和Down一起巡迴演出，並錄製了一張新專輯。 “ Gold”在近40分鐘內展示了13條曲目 - 包括3個樂器插曲。然而，儘管它具有比較的周長，而安塞爾莫的其他“干擾”，“黃金”也不是野性或迫切的，而不是其前輩。

Anselmo is his usual "pitbull on a poodle" self behind the mic. The screams, gutturals, phlegmy croaks and infrequent "goblin" cleans - to borrow from Cattle Decapitation frontman Travis Ryan - are delivered with vehemence and purpose, accompanied by a caterwaul of backing vocals.

安塞爾莫（Anselmo）是他通常的“貴賓犬上的比特犬”，在麥克風後面。尖叫，刺耳的嘶啞和不頻繁的“ goblin”清洗- 從牛斬首的主持人特拉維斯·瑞安（Travis Ryan）中藉用，並以備受氣氛和目的交付，並帶有背式人聲的表面。

The often-grotesque, Lovecraft-meets-LaVey screeds describe a litany of horrors and hellish landscapes. Take, for example, "Infusorium": "Skull embedded face up... / Buried feet first... / Faces just above the soil... /Mouth hung open... /Heads twisted backwards, facing up..." or "Invoke": "All hail Satan / Be at one with a hell / Give the body to Satan / Luciferian blood."

經常令人陶醉的Lovecraft-Meets-Lavey絲網描述了許多恐怖和地獄般的景觀。以“ Infusorium”為例：“頭骨嵌入臉部…… /埋在土壤上方的腳... /嘴巴懸掛著張開... /頭向後扭曲，面對... ”或“ Invoke”： “所有的冰雹撒旦/與地獄/屍體送給撒旦/路西法鮮血。”

The eerie, synth/string-drenched instrumentals - "Ornaments," "Contaminated" and the swarm-of-bees-like "Angels" - accent the sometimes-mystical air here, albeit briefly, and provide a breather from the blitzkrieg of blasphemy and blackness. And that blitz starts right out of the gate with "Cross" as Adam Jarvis' drumroll launches a cacophony of frantic trem guitars, heaving riffs and blast beats. "Blades" follows in a hail of Terrorizer-like surging grind and it's off to the races from there.

令人毛骨悚然的合成器/弦樂器的樂器 - “裝飾品”，“被污染”和類似蜂群的“天使” - 在這裡有時是有時的神秘空氣，儘管短暫地散發著褻瀆的褻瀆神靈的呼吸器和黑度。當亞當·賈維斯（Adam Jarvis）的鼓聲發行了瘋狂的吉他，隆重的即興演奏和爆炸節拍時，這種閃電戰以“十字”開頭開始。 “刀片”緊隨其後的是恐怖分子般的潮汐，從那裡開始比賽。

"Infusorium" does provide some slower, more atmospheric moments and a graceful, almost Maiden-esque lead break, while the title track, "Coin" and "Invoke" are a bit chunkier and groovier. "Invoke" uses its hookiness to accommodate the "All hail Satan ..." chant noted above, while the more majestic "Coin" is graced by a solo from Exodus/Slayer guitarist Gary Holt.

“ Infusorium”確實提供了一些較慢，更大氣的時刻和優美，幾乎是處女般的領先優勢，而標題曲目“ Coin”和“ Invoke”更加矮小，更加濃郁。 “ Invoke”使用它的魅力來容納“所有冰雹撒旦...”上面指出的唱歌，而更雄偉的“硬幣”是由出埃及記/殺手吉他手加里·霍爾特（Gary Holt）的獨奏所賦予的。

The rest, as embodied by "Evil," "Devil" and "Hell," is pretty fucking relentless, bringing to mind Marduk, Dark Funeral or Immortal at their most manic. And while that steady pummel might be better suited to the more concentrated bursts of Scour's previous work, it holds up here over the long-ish haul.

其餘的是“邪惡”，“魔鬼”和“地獄”所體現的，這真是無情，想到馬爾杜克，最躁狂的葬禮或不朽。儘管這種穩定的pummel可能更適合Scour以前的工作更加集中的爆發，但它在這裡持續了漫長的途徑。

Scour has once again made the most of the limited time it has for this endeavor. "Gold" is a testament to brutality, extremity and all things horrific and evil. As I suppose it should be.

Scour再次充分利用了這項工作的限時時間。 “黃金”證明了殘酷，肢體和所有事物可怕和邪惡的事物。我想應該是。

4.0 Out Of 5.0

4.0（滿分5.0）