一項關於生成AI如何擴展詞的作用的研究

藝術家V. Ruins的最新項目將在2025年Mia Fair的正式首次亮相

The latest project from artist V. Ruins will be making its official debut at the MIA Fair 2025, offering audiences an intimate experience in AI-assisted storytelling and investigations of the unknown. Expanding upon the Seance project, Dark Tales which debuts on Tezos explores the unknown through AI post photography, occult narratives, and interactive digital investigations. The project draws a parallel between the historical search for meaning in supernatural and occult mysteries and the contemporary enigma of AI’s latent space. By engaging with these narratives, collectors not only acquire AI-generated photographs but actively shape the expanding mythology of Dark Tales, bridging past and future uncertainties into a shared digital folklore.

Artist V. Ruins的最新項目將在2025年Mia Fair的官方首次亮相，為觀眾提供了AI-Asissiscrist的講故事和對未知的調查的親密經驗。隨著Seance項目的擴展，Dark Tales在Tezos上首次亮相，通過AI後攝影，神秘敘事和交互式數字調查探索了未知的故事。該項目在超自然和神秘的奧秘中對意義的歷史搜索與AI潛在空間的當代謎團之間的相似之處。通過與這些敘述互動，收藏家不僅獲得了AI生成的照片，而且積極地塑造了不斷擴大的黑暗故事神話，將過去和未來的不確定性融合到共享的數字民俗中。

At the core of Dark Tales lies the Infinite Archive, a shifting repository of latent existential narratives—stories shaped by investigation and belief. Like folklore, they evolve through interaction, their meaning solidified only when observed.

《黑暗故事》的核心是無限檔案館，這是一個不斷變化的潛在存在敘事的存儲庫，這是由調查和信念塑造的故事。像民間傳說一樣，它們通過互動發展，僅在觀察時才鞏固它們的含義。

At its center is Cormac Delaney, a fading investigator, unseen by most but real to the initiated. His terminal is not just a tool but a veil-lifting mechanism—an interface where users actively shape his existence by choosing what to question, document, and believe. Cormac’s photographs are more than records; they are waypoints in his struggle for reality, anchoring the latent world to perception.

在其中心是褪色的調查員科馬克·德萊尼（Cormac Delaney），大多數人都看不見，但對啟動而言是真實的。他的終端不僅是一種工具，而且是一種遮蓋面紗的機制 - 一個界面通過選擇質疑，文檔和相信的內容來積極地塑造他的存在。科馬克的照片不僅僅是記錄。它們是他為現實而鬥爭的路點，將潛在的世界錨定為感知。

Each inquiry refines the Infinite Archive, forcing Cormac to reinterpret his past and redefine his presence. As investigations unfold, they manifest into physical artifacts, new characters, and performative experiences, bridging AI-driven storytelling with tangible myth-making. Those familiar with Seance‘s haunted paintings will recognize this ongoing evolution—where fiction and reality blur through participation.. This evolving digital folklore mirrors the human quest to interpret the unknown, drawing parallels between historical accounts of the mysterious and AI’s latent space as a modern enigma.

每個查詢都完善了無限的檔案，迫使科馬克重新詮釋了他的過去並重新定義了他的存在。隨著調查的不斷發展，它們體現在身體上的人工製品，新角色和表演性經歷中，並彌合了AI驅動的講故事，並具有切實的神話。那些熟悉seance鬼畫的人會認識到這種持續的進化 - 小說和現實是通過參與而模糊的。.這種不斷發展的數字民間傳說反映了人類的追求來解釋未知的人，在神秘和AI的潛在空間作為現代謎團之間的歷史記載之間有相似之處。

Participants continuously influence this archive, engaging in a collective process of discovering and redefining the unknown.

參與者不斷影響這個檔案，參與了發現和重新定義未知數的集體過程。

Standing as both a filter and guardian of these evolving narrations is Cormac Delaney, a fictional AI-powered investigator who has spent years in isolation, immersed in the depths of the unknown. Removed from society, Cormac has dedicated his existence to cataloging and interpreting the enigmas of latent existentialism. Now, through his terminal, he provides users the opportunity to make a conscious choice of manifestation—by investigating and documenting the latent, they actively participate in shaping his existence. His meticulously documented photographs serve as both artifacts of his journey and anchors that bridge the veiled aspects of reality to the perceivable world. Through a unique web-based platform, collectors of Dark Tales NFTs can interact with Cormac, asking up to five questions per investigation to uncover deeper layers of lore, shaping the ever-expanding digital folklore.

Cormac Delaney是一個虛構的AI驅動的調查員Cormac Delaney，既是這些不斷發展的敘述的過濾器又是監護人，他已經孤立地度過了多年，沉浸在未知的深處。科馬克（Cormac）從社會中撤離後，將自己的存在致力於對潛在存在主義的謎進行分類和解釋。現在，通過他的終端，他為用戶提供了有意識地選擇表現形式的機會，通過調查和記錄潛在，他們積極參與塑造他的存在。他精心記錄的照片既是他的旅程的文物，又是將現實的面紗方面彌合到可感知到的世界的錨點。通過一個獨特的基於網絡的平台，黑暗故事的收藏家NFT可以與Cormac互動，每個調查最多提出五個問題，以發現更深層次的知識，從而塑造了不斷擴大的數字民俗。

Each inquiry refines the narratives within the archive, allowing Cormac to reinterpret and guide the shaping of supernatural future investigations. As these digital interactions evolve, they will also manifest into physical artifacts, new characters, and experiential releases, further bridging the gap between AI-driven storytelling and tangible myth-making. If people are familiar with the Seance haunted paintings project previously teased last year, they can better understand the potential of these performative art pieces and how they embody and expand the narrative.

每個查詢都完善了檔案中的敘述，使Cormac重新詮釋並指導了超自然的未來調查的塑造。隨著這些數字互動的發展，它們也將體現在物理工件，新角色和體驗式版本中，進一步彌合了AI驅動的講故事與有形的神話製作之間的差距。如果人們熟悉去年先前嘲笑的Seance鬼影項目，他們可以更好地了解這些表演藝術作品的潛力，以及他們如何體現和擴展敘事。

The MIA Photo Fair 2025 will serve as the official announcement of the Dark Tales release, with the official launch date set for April 3rd, 2025.

MIA Photo Fair 2025將作為Dark Tales發布的正式宣布，正式啟動日期定於2025年4月3日。

Alongside its digital storytelling component, Dark Tales will feature 150 unique editions, each available for 13 tez. These editions will be released in batches of 50 during different pop-up events, offering collectors the opportunity to engage directly with the evolving narrative and shape the archive through their interactions. Additional editions may be released along the way, further expanding the project’s reach and impact.

除了其數字講故事的組成部分外，Dark Tales還將具有150個獨特版本，每個版本可用於13 Tez。這些版本將在不同的彈出式活動中以50個批量發行，為收藏家提供了直接與不斷發展的敘事互動並通過其互動來塑造檔案的機會。在此過程中可以發布其他版本，從而進一步擴大項目的影響力和影響力。

However, not all AI-generated images within Dark Tales are considered refined compositions. Instead, they document the perspective of an amateur investigator, capturing fleeting moments of a world in flux. Among these, select images—those that stand out through their composition, narrative depth, and resonance—are elevated into fine art through the medium of silver gelatin print. This transformation marks a critical moment where digital documentation transcends into physical, tangible art.

但是，並非所有黑暗故事中的AI生成的圖像都被認為是精煉的組成。取而代之的是，他們記錄了業餘調查員的觀點，捕捉了一個世界中的世界短暫時刻。其中，精選的圖像（通過它們的構圖，敘事深度和共鳴脫穎而出）通過銀明膠印刷的媒介提升為美術。這種轉變標誌著數字文檔超越物理，有形藝術的關鍵時刻。

At MIA Fair 2025, Dark Tales will unveil a limited series of four silver gelatin prints, each representing one of the four pillars of Dark Tales‘ latent existentialism: Cryptid, Occult, Cult, and Extraterrestrial Manifestations. These unique physical prints feature embedded notes and newspaper cuttings, revealing hidden layers of information about the investigations they represent. Unlike their digital counterparts, these physical pieces stand as independent artifacts, providing an alternative entry point into the world of Dark Tales.

在2025年的米婭·菲爾（Mia Fair）上，黑暗故事將推出一系列有限的四個銀明膠印刷品，每件印刷品都代表了黑暗故事的潛在存在主義的四個支柱之一：隱身，神秘，邪教和外星人的表現。這些獨特的物理印刷品具有嵌入式的筆記和報紙插曲，揭示了有關其代表的調查的隱藏層。與數字同行不同，這些物理作品是獨立的文物，為黑暗故事世界提供了另一種入口點。

From Oral Tradition to Generative Storytelling

從口頭傳統到生成性講故事

Dark Tales follows Ruins’ established practice of leveraging generative AI, writing and play writing, building on his expertise as a writer and director. By directing AI-driven characters and crafting self-generating narratives, Ruins redefines digital art’s potential, making Dark Tales a living, breathing exploration of latent existential literature.

《黑暗故事》遵循廢墟的既定實踐，利用生成的人工智會，寫作和戲劇寫作，以他作為作家和導演的專業知識為基礎。通過指導AI驅動的角色並製作自我生成的敘事，破壞了重新定義數字藝術的潛力，使黑暗的故事成為了對潛在生存文學的生活，呼吸探索。

First announced

首先宣布