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艺术家V. Ruins的最新项目将在2025年Mia Fair的正式首次亮相
The latest project from artist V. Ruins will be making its official debut at the MIA Fair 2025, offering audiences an intimate experience in AI-assisted storytelling and investigations of the unknown. Expanding upon the Seance project, Dark Tales which debuts on Tezos explores the unknown through AI post photography, occult narratives, and interactive digital investigations. The project draws a parallel between the historical search for meaning in supernatural and occult mysteries and the contemporary enigma of AI’s latent space. By engaging with these narratives, collectors not only acquire AI-generated photographs but actively shape the expanding mythology of Dark Tales, bridging past and future uncertainties into a shared digital folklore.
Artist V. Ruins的最新项目将在2025年Mia Fair的官方首次亮相,为观众提供了AI-Asissiscrist的讲故事和对未知的调查的亲密经验。随着Seance项目的扩展,Dark Tales在Tezos上首次亮相,通过AI后摄影,神秘叙事和交互式数字调查探索了未知的故事。该项目在超自然和神秘的奥秘中对意义的历史搜索与AI潜在空间的当代谜团之间的相似之处。通过与这些叙述互动,收藏家不仅获得了AI生成的照片,而且积极地塑造了不断扩大的黑暗故事神话,将过去和未来的不确定性融合到共享的数字民俗中。
At the core of Dark Tales lies the Infinite Archive, a shifting repository of latent existential narratives—stories shaped by investigation and belief. Like folklore, they evolve through interaction, their meaning solidified only when observed.
《黑暗故事》的核心是无限档案馆,这是一个不断变化的潜在存在叙事的存储库,这是由调查和信念塑造的故事。像民间传说一样,它们通过互动发展,仅在观察时才巩固它们的含义。
At its center is Cormac Delaney, a fading investigator, unseen by most but real to the initiated. His terminal is not just a tool but a veil-lifting mechanism—an interface where users actively shape his existence by choosing what to question, document, and believe. Cormac’s photographs are more than records; they are waypoints in his struggle for reality, anchoring the latent world to perception.
在其中心是褪色的调查员科马克·德莱尼(Cormac Delaney),大多数人都看不见,但对启动而言是真实的。他的终端不仅是一种工具,而且是一种遮盖面纱的机制 - 一个界面通过选择质疑,文档和相信的内容来积极地塑造他的存在。科马克的照片不仅仅是记录。它们是他为现实而斗争的路点,将潜在的世界锚定为感知。
Each inquiry refines the Infinite Archive, forcing Cormac to reinterpret his past and redefine his presence. As investigations unfold, they manifest into physical artifacts, new characters, and performative experiences, bridging AI-driven storytelling with tangible myth-making. Those familiar with Seance‘s haunted paintings will recognize this ongoing evolution—where fiction and reality blur through participation.. This evolving digital folklore mirrors the human quest to interpret the unknown, drawing parallels between historical accounts of the mysterious and AI’s latent space as a modern enigma.
每个查询都完善了无限的档案,迫使科马克重新诠释了他的过去并重新定义了他的存在。随着调查的不断发展,它们体现在身体上的人工制品,新角色和表演性经历中,并弥合了AI驱动的讲故事,并具有切实的神话。那些熟悉seance鬼画的人会认识到这种持续的进化 - 小说和现实是通过参与而模糊的。.这种不断发展的数字民间传说反映了人类的追求来解释未知的人,在神秘和AI的潜在空间作为现代谜团之间的历史记载之间有相似之处。
Participants continuously influence this archive, engaging in a collective process of discovering and redefining the unknown.
参与者不断影响这个档案,参与了发现和重新定义未知数的集体过程。
Standing as both a filter and guardian of these evolving narrations is Cormac Delaney, a fictional AI-powered investigator who has spent years in isolation, immersed in the depths of the unknown. Removed from society, Cormac has dedicated his existence to cataloging and interpreting the enigmas of latent existentialism. Now, through his terminal, he provides users the opportunity to make a conscious choice of manifestation—by investigating and documenting the latent, they actively participate in shaping his existence. His meticulously documented photographs serve as both artifacts of his journey and anchors that bridge the veiled aspects of reality to the perceivable world. Through a unique web-based platform, collectors of Dark Tales NFTs can interact with Cormac, asking up to five questions per investigation to uncover deeper layers of lore, shaping the ever-expanding digital folklore.
Cormac Delaney是一个虚构的AI驱动的调查员Cormac Delaney,既是这些不断发展的叙述的过滤器又是监护人,他已经孤立地度过了多年,沉浸在未知的深处。科马克(Cormac)从社会中撤离后,将自己的存在致力于对潜在存在主义的谜进行分类和解释。现在,通过他的终端,他为用户提供了有意识地选择表现形式的机会,通过调查和记录潜在,他们积极参与塑造他的存在。他精心记录的照片既是他的旅程的文物,又是将现实的面纱方面弥合到可感知到的世界的锚点。通过一个独特的基于网络的平台,黑暗故事的收藏家NFT可以与Cormac互动,每个调查最多提出五个问题,以发现更深层次的知识,从而塑造了不断扩大的数字民俗。
Each inquiry refines the narratives within the archive, allowing Cormac to reinterpret and guide the shaping of supernatural future investigations. As these digital interactions evolve, they will also manifest into physical artifacts, new characters, and experiential releases, further bridging the gap between AI-driven storytelling and tangible myth-making. If people are familiar with the Seance haunted paintings project previously teased last year, they can better understand the potential of these performative art pieces and how they embody and expand the narrative.
每个查询都完善了档案中的叙述,使Cormac重新诠释并指导了超自然的未来调查的塑造。随着这些数字互动的发展,它们也将体现在物理工件,新角色和体验式版本中,进一步弥合了AI驱动的讲故事与有形的神话制作之间的差距。如果人们熟悉去年先前嘲笑的Seance鬼影项目,他们可以更好地了解这些表演艺术作品的潜力,以及他们如何体现和扩展叙事。
The MIA Photo Fair 2025 will serve as the official announcement of the Dark Tales release, with the official launch date set for April 3rd, 2025.
MIA Photo Fair 2025将作为Dark Tales发布的正式宣布,正式启动日期定于2025年4月3日。
Alongside its digital storytelling component, Dark Tales will feature 150 unique editions, each available for 13 tez. These editions will be released in batches of 50 during different pop-up events, offering collectors the opportunity to engage directly with the evolving narrative and shape the archive through their interactions. Additional editions may be released along the way, further expanding the project’s reach and impact.
除了其数字讲故事的组成部分外,Dark Tales还将具有150个独特版本,每个版本可用于13 Tez。这些版本将在不同的弹出式活动中以50个批量发行,为收藏家提供了直接与不断发展的叙事互动并通过其互动来塑造档案的机会。在此过程中可以发布其他版本,从而进一步扩大了项目的影响力和影响力。
However, not all AI-generated images within Dark Tales are considered refined compositions. Instead, they document the perspective of an amateur investigator, capturing fleeting moments of a world in flux. Among these, select images—those that stand out through their composition, narrative depth, and resonance—are elevated into fine art through the medium of silver gelatin print. This transformation marks a critical moment where digital documentation transcends into physical, tangible art.
但是,并非所有黑暗故事中的AI生成的图像都被认为是精炼的组成。取而代之的是,他们记录了业余调查员的观点,捕捉了一个世界中的世界短暂时刻。其中,精选的图像(通过它们的构图,叙事深度和共鸣脱颖而出)通过银明胶印刷的媒介提升为美术。这种转变标志着数字文档超越物理,有形艺术的关键时刻。
At MIA Fair 2025, Dark Tales will unveil a limited series of four silver gelatin prints, each representing one of the four pillars of Dark Tales‘ latent existentialism: Cryptid, Occult, Cult, and Extraterrestrial Manifestations. These unique physical prints feature embedded notes and newspaper cuttings, revealing hidden layers of information about the investigations they represent. Unlike their digital counterparts, these physical pieces stand as independent artifacts, providing an alternative entry point into the world of Dark Tales.
在2025年的米娅·菲尔(Mia Fair)上,黑暗故事将推出一系列有限的四个银明胶印刷品,每件印刷品都代表了黑暗故事的潜在存在主义的四个支柱之一:隐身,神秘,邪教和外星人的表现。这些独特的物理印刷品具有嵌入式的笔记和报纸插曲,揭示了有关其代表的调查的隐藏层。与数字同行不同,这些物理作品是独立的文物,为黑暗故事世界提供了另一种入口点。
From Oral Tradition to Generative Storytelling
从口头传统到生成性讲故事
Dark Tales follows Ruins’ established practice of leveraging generative AI, writing and play writing, building on his expertise as a writer and director. By directing AI-driven characters and crafting self-generating narratives, Ruins redefines digital art’s potential, making Dark Tales a living, breathing exploration of latent existential literature.
《黑暗故事》遵循废墟的既定实践,利用生成的人工智会,写作和戏剧写作,以他作为作家和导演的专业知识为基础。通过指导AI驱动的角色并制作自我生成的叙事,破坏了重新定义数字艺术的潜力,使黑暗的故事成为了对潜在生存文学的生活,呼吸探索。
First announced
首先宣布
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