빌무리는 미국 모터 스포츠가 출시 된 후 폭발합니다

전 공격 공격! Man Johnny Franck의 즐거운 록 프로젝트 Bilmuri는 작년의 울트라 폴란드 앨범 American Motor Sports와 수면 토큰과 베이비 메탈 투어를 시작한 후 폭발했습니다.

Former Attack Attack! man Johnny Franck’s joyous rock project Bilmuri has exploded after the launch of last year’s ultra-polished, ultra-cool album American Motor Sports and tours with Sleep Token and Babymetal.

전 공격 공격! Man Johnny Franck의 즐거운 록 프로젝트 Bilmuri는 작년의 울트라 폴란드 앨범 American Motor Sports와 수면 토큰과 베이비 메탈 투어를 시작한 후 폭발했습니다.

Now, as Bilmuri prepare for huge 2024 festival slots and a headline tour, guitarist Reese Maslen tells Total Guitar how the band's unique sound was achieved on one of the year's hottest records.

Bilmuri가 거대한 2024 페스티벌 슬롯과 헤드 라인 투어를 준비함에 따라 기타리스트 Reese Maslen은 Total Guitar에게 올해의 가장 인기있는 레코드 중 하나에서 밴드의 독특한 사운드가 어떻게 달성되었는지 알려줍니다.

Better Hell has been a smash hit. What do you think makes the song so special?

더 나은 지옥은 끔찍한 히트였습니다. 노래를 그렇게 특별하게 만든다고 생각하십니까?

Johnny Franck: “I think it’s getting the simple things right. That main lead took four guitarists to get right in terms of articulation, even though it sounds simple.

Johnny Franck :“단순한 일을 제대로하고 있다고 생각합니다.

“I had a dude from Mississippi, Eric Woolard, put some really traditional country on there. The country guys are some of the best in the world, but they don't get as much credit as the prog guys. Shining a light on how cool country guitar can be was important to me.”

"저는 미시시피의 에릭 울라드 (Eric Woolard)의 친구가 정말로 전통적인 나라를 세상에 올렸습니다.

There’s a great blend of modern rock tones and acoustic.

현대 바위 색조와 음향이 잘 혼합되어 있습니다.

Franck: “Modern music can sound like a fucking computer – I hate that. It felt like a tightrope walk, but by blending organic instruments with the digital sound, I felt like I created a good middle ground between the two.

Franck :“현대 음악은 빌어 먹을 컴퓨터처럼 들릴 수 있습니다. 나는 그것을 싫어하지만, 유기농 악기를 디지털 사운드와 혼합하여 둘 사이에 좋은 중간 지점을 만들었습니다.

“You get the power and clarity of the low-end on the digital side, but you get the purity of the acoustics. I don’t feel like those two things have really been brought together before in a way that was as satisfying.”

"당신은 디지털 측면에서 로우 엔드의 힘과 명확성을 얻지 만, 당신은 음향의 순도를 얻습니다.

Live, Reese, you do most of the heavy lifting on the guitar.

라이브, 리즈, 당신은 기타에서 대부분의 무거운 리프팅을합니다.

Reese Maslen: “I come strictly from the metal world. When I joined, the first thing that Johnny sent me was A COWBOYS HEAVY LOAD, saying, ‘Can you do this solo?’ and I was like, ‘I don't fucking know!’ I’d never tried to do chicken picking before. This band has forced me to learn a lot of different styles.”

Reese Maslen :“내가 합류했을 때, Johnny가 저에게 보낸 첫 번째 것은 카우보이 무거운 짐이었다. 그리고 나는 '내가 몰라요!' 나는이 밴드가 전에 닭 고려를 시도한 적이 없다.

Franck: “Oftentimes I’ll have something in my head that I have no ability to do, and I’m like, ‘Reese, can you do this?’ and he’ll figure out a way. We’ve been making interludes for this new tour so we can flex a bit; I was like, ‘Reese, can you do this thumping thing like I hear it in my head?’ He figured that out pretty quickly!”

Franck :“종종 내 머리 속에는 할 수있는 능력이없고, 나는 'Reese, 할 수 있습니까?'와 같습니다. 그리고 그는 우리 가이 새로운 투어를 위해 인터 로스를 만들었습니다. 그는 그것을 꽤 빨리 알아 냈습니다!”

I feel like every flavor of one through four serves the overall pie of Bilmuri. Except fifth position

나는 1 ~ 4의 모든 맛이 Bilmuri의 전체 파이를 제공하는 것처럼 느낍니다. 다섯 번째 위치를 제외하고

You don’t make his life easy, then?

그러면 그의 삶을 쉽게 만들지 않습니까?

Franck: “I throw him in the deep end a lot! What’s really interesting is that a lot of these solos are written in standard, and Reese had to transpose them to DADGAD for live.”

Franck :“나는 그를 깊이에 많이 던지고 있습니다. 정말 흥미로운 것은이 솔로가 표준으로 작성되었으며 Reese는 그들을 Dadgad로 전환해야했습니다.”

Maslen: “We don’t have the infrastructure to do effective guitar switching, so it was out of necessity. It really does feel like you’re rediscovering how to play guitar; I’ve just figured out how to sweep in DADGAD. It’s so goofy, and it looks super-weird, but it’s really unlocked something for me.”

Maslen :“우리는 효과적인 기타 전환을 할 수있는 인프라가 없기 때문에 실제로는 기타를 재발견하는 것처럼 느껴졌습니다.

You’re both Strat players.

당신은 둘 다 Strat 플레이어입니다.

Franck: “Almost everything is a Strat in the fourth position. It’s still got aggression, but it’s got this jangle that I’ve been searching for my whole life. Single coils going through a heavy amp have this depth to them that humbuckers just can’t get.

Franck :“거의 모든 것이 네 번째 위치에 있습니다. 그러나 그것은 내 평생 동안 한 번의 앰프를 검색하고있는이 jangle을 얻었습니다.

“I feel like every flavor of one through four serves some sort of thing in the overall pie of Bilmuri. Except fifth position – f*ck that; it sounds like ass! But 95 percent of it is that fourth position. I just get my guitar modded so that if it’s all the way down, it’s in the fourth position.”

“1 ~ 4의 모든 맛은 Bilmuri의 전체 파이에서 일종의 일을합니다.

And you’ve always whacked an EverTune on your Strat.

그리고 당신은 항상 당신의 Strat에 Evertune을 wh습니다.

Franck: “No-one wants to see a singer tune a guitar on stage. Reese can go back and tune while I’m talking to the audience. Actually, there’s a lot of feeling that could get lost if Reese was on EverTune. I’m there to collect the energy of the crowd and put it back out.”

Franck :“아무도 가수가 무대에서 돌아가서 청중과 이야기 할 수 있습니다.

What amps are you running?

어떤 앰프를 달리고 있습니까?

Maslen: “We’ve just switched to Quad Cortex. We used Line 6 Helix on the Sleep Token tour in the UK and it was a nightmare. They were constantly buzzing and we were constantly having to troubleshoot, which Sleep Token never had to do. That was the turning point.

Maslen :“우리는 쿼드 피질로 전환했습니다.

“We spent a weekend jamming and getting tones together, then a week later I opened it up and it sounded like shit! I don't know what we were on, but it was not good. So I fell back to what I know: a Mesa head with a Marshall cab. A lot of the clean tones are Match

“우리는 주말에 톤을 썼다. 그리고 일주일 후에 나는 그것을 열었다